kagablog

May 1, 2016

OPENING STELLENBOSCH: From Assimilation to Occupation

Filed under: 2016 - Opening Stellenbosch — ABRAXAS @ 12:59 pm

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April 30, 2016

an interview with STEPHANUS MULLER about NAGMUSIEK

Filed under: stephanus muller — ABRAXAS @ 9:01 pm

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HANNAH ARENDT

Filed under: dick tuinder — ABRAXAS @ 11:21 am

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THE DEAD MAN 2: RETURN OF THE DEAD MAN

Filed under: 1994 - the dead man 2: return of the dead man — ABRAXAS @ 8:56 am

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THE DEAD MAN 2: RETURN OF THE DEAD MAN

Filed under: 1994 - the dead man 2: return of the dead man — ABRAXAS @ 8:27 am

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April 29, 2016

MERZBOW – MUSIC FOR THE DEAD MAN 2: RETURN OF THE DEAD MAN

Filed under: 1994 - the dead man 2: return of the dead man — ABRAXAS @ 9:13 pm


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first published here: https://www.discogs.com/Merzbow-Music-For-The-Dead-Man-2-Return-Of-The-Dead-Man/release/137788

April 28, 2016

Cobbs, Durban, 1982

Filed under: kagaportraits — ABRAXAS @ 8:34 am

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Jesús Sepúlveda on IDEOLOGY

Filed under: Jesus sepulveda,philosophy — ABRAXAS @ 6:44 am

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Ideology crystallizes itself like a map in memory. It legitimizes itself by propagating the false idea that the world in which we live is the best possible world, or the system is the best system, regardless of its shortcomings. For this reason, it is common to hear that socialism is better than capitalism, the free market is better than the proletarian state, democracy better than fascism, military dictatorship better than communism, republic better than monarchy, feudal bondage better than slavery, city better than country, etc.

However many of these arguments are launched, they all are ultimately absurd because they tend to justify repression at the altar of a supposed necessary order. Ideology demonizes its opposition as partisans of a supposed and constructed chaos, praising moderation and fostering resignation. Ideology skirts logic and cajoles the naive population into accepting evil as inevitable, which carries with it either the aftertaste of fatality or arrogance, but always with surrender or sacrifice. In this vein, it is not uncommon to hear it said that change is impossible, or that there are no longer ideals worth fighting for nor hope to embrace. Ideology programs collective desperation. It alienates. It defeats. It is as recalcitrant as a dogma, because its ultimate goal is self-perpetuation. It uses every means available toward this end: genocide, ecocide, elections, or simply fear—fear that paralyzes the imagination, or erases it.

Ideology operates like a narrative that domesticates by way of its own systemic standardization. It expands like a virus, or transparent and mimetic plague, which expresses itself in trends or in name-brand identities. No one sees it, no one feels it, no one touches it, yet everyone speaks with its tongue. It strangles the mind—which is connected to a server or a mainframe—and plugs in the eyes. It reproduces itself mechanically and accumulates unsatisfied desires in an oscillating spiral. This spiral is like the pleats of an accordion or, better yet, an artificial heart sounding its own agony. The beating of this false heart will continue until the empire rearms, the government regroups, castes are revived, or until the system collapses, a victim of its own decadence.

Ideology crystallizes itself like a map. This map, however, is false—it portrays the world as a mental creation, a stage constructed over the base of the gears of productivity: the gearing is the material and ideological bubble in which the so-called political and economic systems of eco-social domination exist. Ideology justifies itself with the false idea that this is a happy and viable world, and that, despite its shortcomings, it is better to close your eyes to accustom yourself to survival and to avoid any disruption of the dream. When a person dreams, the nightmares cease and fantasy flowers. This can be, however, highly subversive, because in addition to letting the imagination fly, dreams erase narratives and turn the maps upside down, disposing of them in fetid waste-dumps.

the complete Garden of Peculiarities is published on the web here: https://theanarchistlibrary.org/library/jesus-sepulveda-the-garden-of-peculiarities#toc1

I’M EVERY WOMAN

Filed under: kagastories — ABRAXAS @ 5:44 am

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first published heere: http://www.kalaharireview.org/fictionpoetry/2016/4/21/im-every-woman.html

April 27, 2016

KREUN screening @University of Stellenbosch, thursday 28 April 2016

Filed under: 2016 - Kreun Vir Roesdorp,Garth Erasmus,Marietjie Pauw — ABRAXAS @ 6:54 pm

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15 April 2016

Filed under: Greyton 7233 — ABRAXAS @ 3:15 pm

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WESTERN 4.33 screening @RAW TERRITORIES GATHERINGS film festival. Portugal

Filed under: 2002 - western4.33 — ABRAXAS @ 2:24 pm

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LEWIS NKOSI

Filed under: literature — ABRAXAS @ 1:37 pm

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Filed under: art,caelan — ABRAXAS @ 1:33 pm

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MILISUTHANDO BONGELA

Filed under: race — ABRAXAS @ 1:30 pm

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LEFIFI TLADI

Filed under: 2005 - giant steps — ABRAXAS @ 1:27 pm

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Jesús Sepúlveda on DOMESTICATION

Filed under: Jesus sepulveda — ABRAXAS @ 1:21 pm

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Domestication is a process that some animals on this planet suffer. It reduces the wild and accustoms the animal to the absence of the natural state of living beings on this planet. It eliminates any wild characteristics that naturally negate planet-wide standardization. It erases that which is natural and spontaneous and which made life possible on this planet. It homogenizes every living creature and organizes life into unities that categorize everything living and breathing on the planet. It places human beings outside the animal kingdom, creating categories of kingdoms and organizing plants and insects as dead objects on this planet. Domestication is a process suffered like a strange sickness that weighs on life in every corner of the planet, threatening to destroy the existence of all who inhabit its magic.

from The Garden of Peculiarities

Filed under: art,caelan — ABRAXAS @ 1:19 pm

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colour blind?

Filed under: race — ABRAXAS @ 1:14 pm

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April 26, 2016

Filed under: kagagraphix — ABRAXAS @ 8:06 pm

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a message from zola melody silimfe

Filed under: kaganof — ABRAXAS @ 7:50 pm

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Filed under: literature — ABRAXAS @ 7:37 pm

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PETER HART-DAVIS, Durban, 1982

Filed under: kagaportraits — ABRAXAS @ 6:20 pm

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Filed under: kaganof — ABRAXAS @ 6:18 pm

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Filed under: 2015 - Decolonising WITS — ABRAXAS @ 6:15 pm

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