kagablog

November 15, 2005

correspondence 2

Filed under: kaganof, kerkhof short films — ABRAXAS @ 10:10 pm


yes, you twisted boy-

since you gave us something tonight i thought i’d bounce something back to
you here,
in terms of a response to your screening…yes…was something new to react
to that,
in some way felt that what the performers were doing, in terms of seeing how
far they
could go…(the girl trying to see just how far she could stretch her skin
before
the hooks ripped her back right open), was also being expected of the
audience…
we all became complicit in this challenge, in this game, to see how long one
could
keep watching without allowing one’s eyes to drift to the side of the screen
or to
go right out and throw right up, kind of thing…at least i was…

went through a distinctly queasy phase there, though more so the fool for
having drunk
that wine on top of the codeine laced sinutab…so broke into a real nauseas
claustrophobic
sweat…but mercifully escaped the cloying by taking an interest in the
expression of
the finite form of the flesh and meditations on mortality…and was
interested in
how the eating of the blood was seen as the ultimate low/high point, when
the symbolisation
of that cannibalistic unity is undergone thoughtlessly by so many billions
every sunday…
was also thinking about how if some of these are abused people
(in terms of what you were saying about one of the girls & also your line
with the
japanese porno queen in that “she learnt to enjoy the rapes”), then this
surely a very
healthy thing for them to be doing…instead of feeling ashamed about what
happened to
them, and how they feel about discipline and punishment…and what memories
and desires
they carry within them…rather let them show the world…for sure…

i thought that in terms of the body…i mean in terms of that ultimate place
beyond
narrative, and representation, it seemed kind of contradictory to be filming
something,
or trying to “capture” this experience…i mean, in terms of the naked
actor, the brute
core flesh…etc…experience….

in terms of aesthetics…i don’t now…i think one would have to become cold
in order to
enjoy it in the abstract…it would have to be a pretty unemotional
aesthetic…as they
tend to be…

it seemed a strange thing to me a while ago when you said something about me
seeming to
be unemotional, or something, or at least my writing…”chilly” i think was
the word…
and yet it’s hard for me to recognise or realise the emotions you may or may
not experience…
because they can seem pretty brutal…which is a different idea of emotion,
i mean the very opposite
of what one normally associates with the more traditional realm of emotions,
such as “soft”
and “romantic”, and so on and so forth…what are they then?…energy &
passion?…
can strength be an emotion?…and courage?…and derring-do?…is intensity
an emotion in
its own right?…or a nuance of others?…i don’t know…it’s hard to
imagine you feeling
surprise or embarrassment or even sustained sorrow…though i can imagine
you feeling
glad and angry…

…you’re a disturbing guy, man…you have these incredibly insightful and
completely
rational explanations…and the world you describe yourself as seeing really
fits
together like a perfect jigsaw…i mean, your world really makes sense, you
know…and yet
it makes the ordinary world seem perverse and bizarre and unreal and
dishonest…(should
that be an “and yet”?…maybe just “and”…)

okay, well…some ideas…some reflections…if i have nightmares tonight
you’re fuckin’
paying for my therapy…

anton krueger.

2 Responses to “correspondence 2”

  1. kaganof Says:

    hi anton
    i must say i really do appreciate that you have taken the time out to respond to the screening

    it’s a very good point that you make about the symbolism of the blood/bread
    and how much we take for granted in the daily horrors of our “real” world
    - for example the way chickens are tortured by kfc to get that particular flavour

    there are a lot of broken, wounded, pained people in the scene
    part of needing to be hurt in order to be able to feel is that one has been hurt so much emotionally that the body has become a numbed zone
    so there is a very strong element of healing running through the bdsm scene
    not to mention sensitizing - one has to be extremely sensitive and loving in order to torture someone really well
    and one also needs the stomach for it
    it is not for the faint hearted
    interestingly, i meet many more women torturers than men

    i was never trying to “capture” the performances
    the works are very obviously mediated
    they are video works with a strong performance element
    but the materiality and the self-reflexivity of the work clearly rules out the possibility of it being mere “registration”

    a good connection with your point about the “coldness” of aesthetics would have to be the history of torture and bondage in japan which is taxonomized in that country as part of art history
    masami akita writes a lot on this subject in “scum culture”

    i think it is a fairly obvious mistake - to assume that emotions, or emotionality, are per se “soft”
    wrath is an emotion too
    der zorn gottes

    finally
    the “ordinary” world IS perverse, bizarre, unreal and dishonest

    that’s why it is called “maya” - the world of illusion

    much love
    ak

  2. anton krueger Says:

    god…what i really like about you is that you’re so completely
    unpredictable…really…there seems to be no systematic way of figuring out
    what you’re going to say and where you’re going to go next…reminds me of
    something i saw in a video on sunday, about how many adventurers have mapped
    out paths of experience and knowledge and understanding and so on…but that as
    long as you’re following someone else’s map you’ll always have second-hand
    information and be looking out for the landmarks they’ve identified and so
    on…but i reckon you’re still out there…having longsince relinquished not
    only the map but the compass & waterbottle as well…thanks for the response…

    a note: my responses were obviously about ron athey, not the
    films before…your take on the von sacher story was really beautiful…& very
    tight… i saw blixa bargeld had some
    music in the herero piece & nick cave featured in the others there as well…nice…

    another thing i thought was that for the people watching the blood show it
    would be both more and less…it would be happening there…but also at a
    greater distance…they wouldn’t get those close-ups…but as you say, yes, the
    video work does make it something new…

    far from nightmares i woke up yesterday morning feeling remarkably refreshed
    and completely out of the flu which had been skulking about on the corners of
    consciousness for a few days…which is more than i can say about this morning,
    however, since my head’s a fuckin’ wreck from an extended 10 hr pool & alcohol
    session…and now to teach the batswana about everest & reported speech…oy …

    happy days

    anton krueger.

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