kagablog

ARYAN KAGANOF CURRICULUM VITAE
KAGANOF WAS BORN AGAIN IN RANDBURG ON 28 MARCH 2001.
HE FOUNDED THE ABRAXAS YOUNITY MOVEMENT IN HOUT BAY IN 1999.
HE STUDIED AT THE NETHERLANDS FILM AND TELEVISION ACADEMY,
MAJORING IN SCREENWRITING AND DIRECTION. KAGANOF WORKS IN
MANY MEDIA. HE DRIVES a 1966 valiant 200 automatic AND HE SHOOTS GLOCK.
SOLO EXHIBITIONS
sanctuary (nov 2004) mutic gallery, johannesburg
LOGOFF LOGON LOGOS (JULY 2001) ASSOCIATION FOR VISUAL ARTS
(AVA), CAPE TOWN
GROUP EXHIBITIONS
post sms, (dec 2003) illuseum, amsterdam
SMS: SANCTUARY MENTAL SPACE (NOVEMBER 2003) CENTRAAL MUSEUM,
UTRECHT (WITH DICK TUINDER, NICOLA DEANE, PHILIPP VIRUS,
TOMOKO MUKAIYAMA, MILIJANA BABIC, ALEXANDRA KALLOS AND CATHERINE
HENEGAN)
87978.25 (OCTOBER 2003) BELL-ROBERTS GALLERY, CAPE TOWN (WITH
STAN ENGELBRECHT)
VIRGINS: THE STAGING OF THE ARTIST AS THE WORK ITSELF (AUGUST
2002) NSA GALLERY, DURBAN (WITH HELGE JANSSEN, NICOLA DEANE
AND CATHERINE HENEGAN)
MANUSCRIPT THREE (JULY 2001) GRAHAMSTOWN FESTIVAL, ART ON
PAPER, JOHANNESBURG (WITH GAIL IRIS NEKE, ALLAN KOLSKI HORWITZ
ETC)
GLOBAL GHETTO (JULY 2000) AKADEMIE DER KUNSTE, BERLIN (WITH PHILIPP
VIRUS, MIRON ZOWNIR, CHRIS CUNNINGHAM ETC)
RESIDENCIES
YERBA BUENA CENTER FOR THE ARTS, SAN FRANCISCO, WATTIS ARTIST IN
RESIDENCE 1999
NSA GALLERY, DURBAN, ARTIST IN RESIDENCE 2002
FILM
WESTERN 4.33 (2002, 32MIN, NAMIBIA-SOUTH AFRICA-NETHERLANDS)
WINNER FIRST PRIZE 12TH AFRICAN FILM FESTIVAL MILAN
WINNER FIRST PRIZE REUNION DOCUMENTARY FESTIVAL
WESTERN 4.33 IS AN EXPERIMENTAL DOCUMENTARY WHICH DEALS WITH
THE GERMAN CONCENTRATION CAMP ON SHARK ISLAND, NEAR LUDERITZ,
WHERE THOUSANDS OF INDIGENOUS HERERO PEOPLE WERE INCARCERATED
FROM 1905 TO 1908. THE JURY REPORT DESCRIBED THE FILM AS ‘A
REFLECTION RECORDED IN PHYSICAL PAIN AND IN THE MEMORY, WHERE
IMAGES AND SOUNDS, THE PHOTOGRAPHY AND EDITING, COMBINE TO
BUILD UP A GREAT SENSORIAL AND POLITICAL EXPERIENCE, FOR A NEW
WAY OF OBSERVING AND EXPERIENCING THE RELATIONSHIP WITH TIME
AND SPACE.’
VIDEO
A FUNERAL (2003, 45MIN, NED-SA)(MUSIC BY RAMON DOS SANTOS)
A RITUAL (2003, 14MIN, SA) (COLLABORATION WITH STANDISH LOWDER)
A SACRIFICE (2003, 11MIN, FRA) (COLLABORATION WITH RON ATHEY)
A VIRGIN (2003, 3MIN, SA)
(THESE FOUR VIDEOS TOGETHER COMPRISE THE TRYPTYCH THREE
VISIONS OF THE APOCALYPSE)
KAGANOF’S OTHER WORK IN VIDEO IS LESS NARRATIVELY DRIVEN AND
MORE CONCERNED WITH ISSUES OF FORM. THESE SHORT PIECES HAVE
BEEN CONCEIVED AS A MASSIVE INTER-CONNECTING MOSAIC AND EACH
PIECE IS PART OF A SET OF PARALLEL SERIES.
SERIES ONE: THE SNUFF COLLECTION
IN ORDER TO BE REBORN KAGANOF NEEDED TO DIE. HE KILLED HIMSELF
REPEATEDLY IN A SERIES OF RUTHLESS AND EXCORIATING JOURNEYS
INTO THE UNDERWORLD OF THE PSYCHE. THESE ARE THE SICKEST FILMS
EVER MADE. THEY TELL THE UNFLINCHING TRUTH ABOUT OUR CULTURE
OF GARBAGE ADDICTION.
WHAT IS METAPHYSICS? (2001, 3MIN, SOUTH AFRICA)
IT’S THE CHILDREN (2001, 5MIN, SOUTH AFRICA)
THE CHILDREN: INCEST (2001, 3MIN, SOUTH AFRICA)
THE CHILDREN: SNUFF (2001, 3MIN, JAPAN)
THE MAN WHO MEDIATED HIMSELF TO A CLIMAX (2001, 3MIN, S. AFRICA)
MERZBOW BEYOND SNUFF (2001, 25MIN, JAPAN)
KAGANOF AND FEMINISM (2001, 7MIN, SOUTH AFRICA)
MEDITATION ON VIOLENCE (2001, 4MIN, S. AFRICA-NETHERLANDS)
MEDIATION ON TORTURE (2002, 6MIN40SEC, SOUTH AFRICA)
KAGANOF DISEASED (2002, 3MIN40SEC, NED-SA)
SERIES TWO: VIRGINS
AFTER HIS DEATH AND MOURNING PERIOD ‘IN HIS ASHES,’ KAGANOF
WAS REBORN A VIRGIN. HIS VIRGINITY INVOLVES A CONSTANT STRUGGLE
WITH MADNESS AND THE HORDES OF VAMPIRE NYMPHOS WHO DESIRE
HIS SPERM AND BLOOD. KAGANOF’S ENCOUNTERS WITH VIRGINS OCCASSIONALLY
RESULT IN A GEM OF FILMED INTIMACY THAT WOULD MAKE
DAVID HAMILTON BLUSH.
HOTEL AVA (2001, 4MIN, GREECE) (WITH RAMON DOS SANTOS)
NICOLA’S FIRST ORGASM (2002, 5MIN33SEC, SOUTH AFRICA)(NOMINATED
FOR THE BRETT KEBBLE ART AWARD, 2003)
PRIMAL SCENE (2002, 4MIN40SEC, SOUTH AFRICA)
MARIE MASTURBATES (SLOWLY) (2002, 4MIN20SEC, NED-SA)
MARIE MASTURBATES (VERY FAST) (2002, 1MIN38SEC, NED-SA)
MENKE DANCES WITH THE DEVIL (2002, 5MIN20SEC, NED-SA)
VALERIE ON FIRE (2002, 4MIN10SEC, NED-SA)
BERRY (2002, 3MIN33SEC, SOUTH AFRICA)
GABRIELA TAKES HER TOP OFF (TWICE) (2002, 3MIN33SEC, NED-SA)
PORTRAITS OF A MIDDLE-EASTERN JEWISH ORPHAN GIRL (2003,
3MIN,SA)
SERIES THREE: THE VELVET COLLECTION
THE MUSIC OF THE VELVET UNDERGROUND AND THE FACTORY OF ANDY
WARHOL HAVE BEEN A CONSTANT SOURCE OF INSPIRATION AND IN THIS
COLLECTION KAGANOF PAYS HOMAGE TO HIS SOURCES.
VENUS IN FURS (2001, 7MIN, NED-SOUTH AFRICA)
PALE BLUE EYES (2002, 6MIN33SEC, NED-SA)
EUROPEAN SON (2003, 5MIN30SEX, SA) (COLLABORATION WITH KENDALL
GEERS)
HEROIN (2003, 8MIN, SA)
A REASON (2003, 5MIN, SA) (WITH NICOLA DEANE)
SERIES FOUR: THE PARAMETRIC FORMALIST COMPOSITIONS
PARAMETRIC FORMALISM IS THE METHOD OF FILM-MAKING WHICH IS ENTIRELY
CONCERNED WITH EXPLORING ITS OWN MEDIUM-SPECIFIC PROPERTIES.
THESE COMPOSITIONS ARE REMINISCENT OF THE MATERIALIST AND
STRUCTURALIST FILM MOVEMENTS OF THE SEVENTIES BUT KAGANOF PREFERS
TO CALL THEM ‘ONTOLOGICAL CINEMA’
NUMBER ONE (2001-2002, 12MIN42SEC, SOUTH AFRICA)
NUMBER TWO (2002, 1MIN40SEC, SOUTH AFRICA)
NUMBER THREE: BAUDELAIRE IN HEAVEN (2002, 16MIN33SEC, NED-SA)
NUMBER FOUR: ON THE SIMULTANEOUS PARTICLE AND WAVE NATURE
OF LIGHT (2002, 6MIN33SEC, NED-SA)
SERIES FIVE: THE SUPREMATIST COMPOSITIONS
THESE COMPOSITIONS ARE CONCERNED WITH THE NATURE OF DEITY AND
ARE KAGANOF’S OWN PERSONAL FAVOURITES OF HIS VOLUMINOUS
WORK. CLEARLY INSPIRED BY THE WORK OF KANDINSKY AND MALEVICH.
NUMBER ONE: ON GOING OUT THE BODY (2002, 7MIN33SEC, NED-SA)
NUMBER TWO: THE DIVINITY IS EVERYWHERE AND NOWHERE (2002,
3MIN33SEC, SA)
NUMBER THREE: ON THE RELATION OF INDIVIDUAL SOULS TO THE
YOUNIVERSAL SOUL (2002, 12MIN47SEC, NED-SA)
NUMBER FOUR: ON THE RETURN OF BEINGS TO THE FIRST (2002,
7MIN33SEC, NED-SA)
NUMBER FIVE: TIME CONSIDERED AS A HELIX OF SEMI-PRECIOUS STONES
(2002, 21MIN, SOUTH AFRICA)
NUMBER SEVEN: THE ONE POSSIBLE BASIS FOR A DEMONSTRATION
OF THE EXISTENCE OF GOD (2003, 7MIN30SEC, NED-SOUTH AFRICA)
SERIES SIX: THE REMIX SESSIONS
KAGANOF WAS CO-FOUNDER, WITH FRANK SCHEFFER, OF THE SONIC
FRAGMENTS AND SONIC GENETICS DIGITAL RE-MIX POSSE, WHO REVITALISED
THE EXPERIMENTAL AND AVANT-GARDE FILM SCENE IN 2000 AND
2001. THEIR MANIFESTO, ‘THE DIGITAL FUTURE IS NOW’ SET THE TONE
FOR ALL DIGITAL ART AND TECHNOHYBRIDIZATION MOVEMENTS IN THE
NEW MILLENIUM. SCREENED AT MORE THAN 65 FESTIVALS AND SYMPOSIA
ACROSS THE GLOBE, THE REMIX SESSIONS HAVE BECOME SOMETHING
OF A CROSS FOR KAGANOF TO BEAR AS HE IS CONTINUALLY BEING
ASKED TO REPLICATE THEIR SUCCESS AND WORK AS A ‘VEEJAY’ AT SOCALLED
‘HOUSE PARTIES’ WHERE THE TEENAGERS LISTEN TO AWFUL
DOOF DOOF MUSIC AND TAKE HALLUCINOGENIC DRUGS MIXED WITH
BAKING POWDER
NUMBER ONE: NOSTALGIA FOR THE FUTURE (2000, 24MIN, NETHERLANDS)
NUMBER TWO: THE SEVEN LAST WORDS OF JESUS CHRIST (2001,
7MIN, NETHERLANDS)
NUMBER THREE: ‘MOMMY, WHAT IS METASONICS?’ (2002, 6MIN04SEC,
SOUTH AFRICA)
SERIES SEVEN: THE ETHNOGRAPHIC FORGERY SERIES
THIS SERIES IS QUITE UNLIKE ANYTHING ELSE KAGANOF HAS EVER DONE
AS THERE IS A NOTABLE LACK OF NUDITY AND NO FOREGROUNDING OF
FORMAL DEVICES TO THE DETRIMENT OF THE NARRATIVE.
NUMBER ONE: CASBAH AND BACK (2002, 7MIN33SEC, SOUTH AFRICA)
(WITH NICOLA DEANE)
NUMBER TWO: IN BROOKLYN (2002, 15MIN33SEC, USA)
NUMBER THREE: ARRESTED DEVELOPMENT (2003, 5MIN, SOUTH AFRICA)
NUMBER FOUR: SHARP SHARP! (2003, 26MIN, SOUTH AFRICA)
NUMBER FIVE: BANTU CONTINUA UHURU NIHILISMUS (2003, 25MIN,
SA) (MUSIC BY RAMON DOS SANTOS)
NUMBER SIX: A FIRE DANCE ECSTACY (2003, 5MIN,SA) (WITH LEFIFI
TLADI)
NUMBER SEVEN: I AM AN AFRICAN (2003, 4MIN, SA) (WITH MOEKETSI
KOENA)
SERIES EIGHT: DOCUMENTS OF THE HISTORICAL AVANT GARDE
IN THE YEARS LEADING UP TO HIS REBIRTH KAGANOF SPECIALISED IN
INTIMATE AND REVEALING PORTRAITS ABOUT THE LUMINARIES OF THE
UNDERGROUND AND AVANT GARDE PERFORMANCE WORLD.
NUMBER ONE: STELARC’S TOKYO PERFORMANCE, 1997 (16MIN, JAPAN)
NUMBER TWO: MATTHEW BARNEY AT THE BOOYMANS VAN BEUNINGEN
MUSEUM, ROTTERDAM, 1995 (24MIN, NETHERLANDS)
NUMBER THREE: RON ATHEY’S FREAKZONE PERFORMANCE, 1997
(24MIN, FRANCE)
NUMBER FOUR: RON ATHEY’S PARIS PERFORMANCE, 1998 (14MIN, FRA )
NUMBER FIVE: ACEPHALE’S FIRST RECORDING 5/2/1974 (14MIN, USA)
NUMBER SIX: KENDALL GEERS’ PRODIGAL SON OPENING, 2003 (7MIN, SA)
NUMBER SEVEN: NICOLA DEANE’S HOME ECONOMICS PERFORMANCE,
PARIS 2003 (9MIN, FRA)
SERIES NINE: THE ABRAXAS YOUNITY MOVEMENT SERIES
KAGANOF’S FINAL WORKS BEFORE HE DIED AGAIN OF MYSTERIOUS CAUSES.
ABRAXAS OPUS ONE (6MIN, SA)
ABRAXAS OPUS TWO (5MIN, SA)
ABRAXAS OPUS THREE (3MIN, SA) (WITH PHILIP VIRUSS)
NOVELS
KWELA BOOKS CONSIDERED KAGANOF’S DEBUT NOVEL ‘TOO SHOCKING’
TO PUBLISH IN SOUTH AFRICA.
HECTISCH (2001, PUBLISHED BY PODIUM, NETHERLANDS)
HECTIC! (2002, PUBLISHED BY PINE SLOPES PUBLICATIONS, SOUTH
AFRICA)
JAMES JOYCE USELESSLY (2003, PINE SLOPES PUBLICATIONS)
CITIZEN KOHEN (2004, PINE SLOPES PUBLICATIONS)
CORTADO (2005, PINE SLOPES PUBLICATIONS)
SHORT STORY COLLECTIONS
SUGAR MAN & OTHER BITTER STORIES (2002, PUBLISHED BY PINE SLOPES
PUBLICATIONS, SOUTH AFRICA)
NOWHERE (2003, PINE SLOPES PUBLICATIONS)
SEX AND DEATH IN AMERICA (2003, PINE SLOPES PUBLICATIONS)
POISON (2004, PINE SLOPES PUBLICATIONS)
SHORT STORY
HAPPY SUSHI (2002, PUBLISHED IN AVENUE, NETHERLANDS)
A FILM INDUSTRY MEETING (2002, PUBLISHED BY THE LITERATE GYMNAST)
JIHAD (2002, PUBLISHED BY THE LITERATE GYMNAST)
PARTY AT WESTERN (2002, PUBLISHED BY THE LITERATE GYMNAST)
THE DRIVING LESSON (2002, PUBLISHED BY DIGITAL HAMMER.COM)
KAGANOF VS. KWAST (2003, PUBLISHED BY PASSIONATE, NETHERLANDS)
THE INCREDIBLY STRANGE ADVENTURES OF MR. K IN SAN FRANCISCO
(2003, PUBLISHED BY SOMA LITERARY REVIEW, USA)
JOBURG CONVERSATIONS (2003, PUBLISHED BY MUSE APPRENTICE
GUILD)
POETRY COLLECTIONS
DRIVE-THRU FUNERAL (2003, PUBLISHED BY PINE SLOPES PUBLICATIONS)
ABANDONMENT BOULEVARD (2003, PINE SLOPES PUBLICATIONS)
TOMBSTONE DUES (2004, PINE SLOPES PUBLICATIONS)
POETRY
CHOOSE TO BE USED (PUBLISHED IN WAX ET JARDINS, AMSTERDAM,
18/10/99)
THIS POEM WAS CONSTRUCTED DURING AN ACÉPHALE PERFORMANCE.
THE FINAL PUBLISHED VERSION WAS A RE-MIX OF AN AUTOMATIC WRITING
SESSION BETWEEN KAGANOF AND SIR DJEFF BABCOCK. THE BOOK IT
WAS PUBLISHED IN WAS AN ART PROJECT BY THE SPANISH ARTIST ALICIA
FRAMIS.
TOMBSTONE DUES (HOWLING DOG PRESS, 2003)
TENDERLOIN PASSAGE (SOMA LITERARY REVIEW, 2003)
INTERVIEWS
ARTHUR MAFOKATE INTERVIEWED ABOUT HIS SONG KAFFIR (PUBLISHED
ON WWW.DONGA.CO.ZA)
AUGUST HIGHLAND INTERVIEWED ABOUT HIS HYPER-LITERARY FICTION
(PUBLISHED ON WWW.DONGA.CO.ZA)
CD SOUND RECORDINGS
VIRGINS - MBEKI’S WARM JETS (CD SINGLE, 2001)
VIRGINS - THEFT (CD ALBUM, 2001)
VIRGINS - MONUMENTAL OLFACTORY WINDBREAK (CD ALBUM, 2002)
CD-ROM
KAGANOF COLLABORATED WITH GRAPHIC DESIGNER, TG ZEN ON THIS
DIGITAL EXHIBITION OF HIS LOGOFF LOGON LOGOS PAINTINGS.
THE WRITING’S ON THE WALL (JULY 2001, SOUTH AFRICA)
PERFORMANCE
DESPITE THE CLUB FEET, KAGANOF HAS NEVER BEEN SHY TO GIVE IT A
GO IN FRONT OF A CROWD. IN DECEMBER 1996 HE CO-FOUNDED THE
HEADLESS ART CULT ‘ACÉPHALE’ WITH SIR DJEFF BABCOCK. INSPIRED BY
GEORGES BATAILLE’S SECRET SOCIETY FORMED TO DESTROY FASCISM
WITH ART, KAGANOF AND BABCOCK PLANNED TO DESTROY ART WITH FASCISM.
THEIR FIRST PERFORMANCE IN AMSTERDAM’S ARTI ET AMICITAE
GALLERY GLEANED THEM AN INSTANT FOLLOWING OF SEMI-NEUROTIC
GIRLS WITH BOYFRIEND PROBLEMS. IT WAS ALL THEY HAD EVER DREAMED
ABOUT. LATER ON THE HEADLESS CULT EXTENDED ITS MEMBERSHIP
TO INCLUDE A SHIFTING ROSTER OF DYSFUNCTIONAL SO-CALLED
‘ARTISTS’ WHO VERY OFTEN CONTRIBUTED LITTLE MORE THAN HEADACHES
TO THE UNIT. DESPITE PLAYING SUCH PRESTIGIOUS EVENTS AS THE
HOLLAND FESTIVAL THERE WAS LITTLE MONEY TO BE MADE IN PERFORMANCE
ART AND SO KAGANOF ONCE AGAIN TURNED TO WHITE-COLLAR
CRIME AND BLACKMAIL IN ORDER TO SUPPORT HIS EXTRAVAGANT LIFESTYLE.
ACEPHALE, ILLUSEUM GALLERY, AMSTERDAM, FEB 2002 TRIO WITH SIRDJEFF
BABCOCK AND VJOLBJORG
VIRGINS, PURPLE TURTLE, CAPE TOWN, JULY 2001 DUET WITH STEVE
DRAKE.
KAGANOF CO-FOUNDED THE INTERNATIONAL DIGITAL COLLECTIVE ‘SONIC
GENETICS’ WITH DUTCH DOCUMENTARY MAKER FRANK SCHEFFER. THE
OUTFIT WAS A CYNICAL ATTEMPT TO CASH IN ON THE UNDERGROUND
REPUTATION OF AVANT-GARDE NOISE-MEISTER MERZBOW. HOWEVER THE
COST OF FLYING THE MEMBERS OUT FROM DIFFERENT CONTINENTS IN
ORDER TO PERFORM TOGETHER MEANT THAT THERE WAS LITTLE MONEY
TO BE SKIMMED OFF THE TOP OF THIS SHORT-LIVED SO-CALLED ‘PERFORMANCE
ART COLLECTIVE’ AND KAGANOF SOON LOST INTEREST AND
RETURNED TO SOUTH AFRICA IN ORDER TO FOCUS HIS ATTENTION ON
HIS MAJOR PASSION, TEENAGE GIRLS. IT WAS HIS BACK TO BASICS
APPROACH TO ART IN THE NEW MILLENIUM THAT BROUGHT HIM TO WORK
WITH THE TAX EXILES BUD MANARA AND TERRENCE OBARA, WHO WERE
BASED IN CAPE TOWN AFTER HAVING ACQUIRED SOUTH AFRICAN PASSPORTS
VERY QUICKLY THANKS TO THEIR CONNECTIONS IN THE SO-CALLED
‘PARLIAMENT’ OF THAT CITY. UNDER THE GUISE OF ‘VIRGINS’ THESE
HARDENED CRIMINALS HAVE PUT THEIR MARK ON THE FUTURE OF PERFORMANCE
ART IN THE NEW SOUTH AFRICA.
SONIC GENETICS, PA RA D I S O, AMSTERDAM, HOLLAND FESTIVAL, JUN 2001
QUINTET WITH MERZBOW, TOMOKO MUKAIYAMA, PHILIPP VIRUS AND
FRANK SCHEFFER
SONIC GENETICS, NEW YORK UNDERGROUND FILM FESTIVAL, MAR 2001
QUINTET WITH KAAP, FRANK SCHEFFER, PHILIPP VIRUS AND DICK TUINDER
SONIC GENETICS, ROTTERDAM INTERNATIONAL FILM FESTIVAL, JAN 2001
QUINTET WITH MERZBOW, TOMOKO MUKAIYAMA, PHILIPP VIRUS AND
FRANK SCHEFFER
ACEPHALE, DE BALIE, AMSTERDAM, HOLLAND FESTIVAL, JUN 2000
SEPTET WITH SIRDJEFF BABCOCK, VJOLBJORG BROCH, SANDY PETERSON,
MALTHE RADHAUS, MERZEDES STURM-LIE AND JADRIN STURM. LIE:
THE APEX OF ACEPHALE’S SOCIAL CRITIQUE. ADORNOESQUE THESIS ON
DUTCH COLLABORATION WITH THE NAZIS DURING WW2
ACEPHALE, ESCHLORAQUE, BERLIN, GERMANY, APRIL 2000 TRIO WITH
SIRDJEFF BABCOCK AND MALTHE RUDHART. IN DER HOLLE DER LIBERTINS.
CRASS EXPLOITATION OF DE SADE ANOPHELORASTIA
ACEPHALE, JULIETTES LITERATURSALON, BERLIN, GERMANY, MARCH
2000 QUARTET WITH BLIXA BARGELD, SIRDJEFF BABCOCK AND MALTHE
RUDHART.THE JUDAS KISS.A ROMAN SHOWER FOR A BUCKET OF SNAKES
WITH BLIXA BARGELD.
ACEPHALE, CBK MODERN ART MUSEUM, DORDRECHT, NETHERLANDS,
SEP 1999 QUARTET WITH SIRDJEFF BABCOCK, VJOLBJORG BROCH AND
SANDY PETERSON. JE SUIS MOI-MEME LA GUERRE. CO-OPERATIVE PERFORMANCE
AND INSTALLATION WITH ALICIA FRAMIS.
ACEPHALE, KOKOPELLI GALLERY, AMSTERDAM, NETHERLANDS, FEB 1999
QUARTET WITH SIRDJEFF BABCOCK, VJOLBJORG BROCH AND SANDY
PETERSON. LIVE SNUFF .TWILIGHT IMMOLATION CEREMONY FOR MAMMON.
ACEPHALE VS. MERZBOW, PARADISO, AMSTERDAM, NETHERLANDS, NOV
1998 SONIC ACTS. QUINTET WITH SIRDJEFF BABCOCK, MASAMI AKITA,
REIKO AND BARA.
THE 33 HOLY BOOKS OF THE ABRAXAS YOUNITY MOVEMENT
A JOURNAL OF THE PLAGUE YEAR (1999)
THE BALLROOM POET: HIS NIGHT OF LUNACY AND EXCESSIVE BRIGHTNESS
THE BALLROOM POET MEETS THE ANGEL OF ANTI-ANXIETY
BALLROOM POET IN THE CITY OF SIRENS
THE MAN WITHOUT NAUSEA
PHAEDRUS
ECCLESIASTES
FREESTYLE INNA JOBURG
THE REBEL
FROM SCRATCH
APHORISIBLES FOR CIGAR SMOKERS
KAPHORISIBLES
THE UNTITLED BOOK
SHABONDAMA ELEGY
CATHOLIC HEART
MARTIN HEIDEGGER’S WHAT IS METAPHYSICS?
THE DALAI LAMA
THE SONG OF SOLOMON
THE OXYRHYNCHUS SAYINGS OF KAGANOF
NINE ARCANA SYMBOLS
RED DRAGON AUGURIES
THE GOSPEL ACCORDING TO ARYAN KAGANOF
UNTITLED BOOK OF BACKING PAPER
…IN SHORT
HOTEL BIJOU
THE CONCRETE CHANGES
ICH, JESUS JUDENSOHN
NEVER SAY NO TO DRUGS
41 DES MOINES, NEW YORK
THE ARYAN KAGANOF MANIFESTO
GLOSSATORIA, DIGESTA AND CODEX OF THE ARYAN KAGANOF
LETTERA RARISSIMA; HIS FOURTH AND FINAL VOYAGE
THE AUTHOR