kagablog

March 22, 2007

RULE OF THE SWALLOW - THE PASSENGERS

Filed under: U.r.c.h.i.n. — ABRAXAS @ 4:14 pm

During the latter part of the 1980s there was a spate of groups in the UK producing brassy, funky soul-tinged music. The likes of Curiosity Killed The Cat, Johnny Hates Jazz and Swing out Sister were scoring big with this brand of music. Neill Solomon with the help of ex-Bay City Roller Stuart Wood embraced this style for the debut album of The Passengers.

I have to admit that I found this genré lifeless and uninspiring, music that came close to being really good, but just lacked a final ingredient to cross over from mediocre to good. Obviously the success of the above mentioned groups mean that there was some appeal of the music, although I tend to believe that the appeal lay more in the good looks of the group members than in the music itself. Unfortunately Neill Solomon, despite being of Greek origin, was no Adonis, so the music comes under closer inspection than would say a Curiosity Killed the Cat song.

While the tunes on this album are all well constructed, produced and
executed, apart from a few stand out guitar solos and the backing vocal contribution of Angie Peach on ‘Got to Get Away’, the album never really lifts itself above the constraints of the genré, probing at the barriers, but never breaking through.

Even the hit single ‘Hold On’ which made it to number 5 on the Radio 5 charts suffers the same fate. However it’s the re-appearance of ‘Junk Foods and Disposable Ladies’ from his Uptown Rhythm Dogs days that saves the album from middle of the road oblivion. Given an injection of reggae beat and sunshine, it is the standout track on the album.

Not Solomon’s finest hour, bowing too much to the flavour-of-the-month
pressure. Rather check out his work with the Uptown Rhythm Dogs and
especially his excellent soundtrack music for the movie ‘The Angel, The
Bicycle & the Chinaman’s Finger’ (was this ever commercially released?), unless of course you really like the music of Johnny Hates Jazz.

John Samson, London, UK
this review originally appeared on the sarockdigest.com

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