kagablog

August 31, 2007

tense

Filed under: rob schroder — ABRAXAS @ 11:56 pm

1212.jpg

HIGHVOLTAGE/LOWVOLTAGE

Filed under: stephen hobbs — ABRAXAS @ 11:51 pm

By
STEPHEN HOBBS
WITS SUBSTATION

Responding to the space in three parts, Stephen Hobbs has produced a body of small scale assemblage sculptures incorporating found objects, a large scale assemblage installation and a site specific exterior building treatment.
This body of work has been inspired by Hobbs’ visit (in late 2006) to Jeff Koons’ Studio and photographic documentation from the top of the Lever House and Seagram’s buildings in New York respectively. Having used the building as a space to develop the work over the past month, the ‘closing’ will culminate in the revealing of the three parts mentioned.

CLOSING EVENT – SATURDAY 1 SEPTEMBER, STARTING FROM 5 PM
Wits University, Station Street (and Jorrissen Street) entrance, Braamfontein
For more information: 0828977498 / sh@onair.co.za

curse

Filed under: danila bloomberg — ABRAXAS @ 11:49 pm

1211.jpg

metro 19c take the l train

Filed under: luis hernandez — ABRAXAS @ 11:47 pm

1210.jpg

Orphan

Filed under: paradoxism — ABRAXAS @ 11:45 pm

Too lucky to have the grief
Of losing one’s parents

B. Venkateswara RAO (India)

sf

Filed under: dick tuinder — ABRAXAS @ 6:57 pm

1209.jpg

the poet who died

Filed under: cecilia — ABRAXAS @ 6:54 pm

1208.jpg

gysuda

Filed under: jimmy "wordsworth" rage — ABRAXAS @ 6:52 pm

brown skin girl.. where are you these sunny daze of summer. could
you be bending and flexing and maxing to the beauty of your dance, to
the rhythm of your said inner voice, rambling like the seasoned
dispositon of your falling arms your hips, your neck, your eyes..
feet..dancing in time, for time, at this said time, of my own
scribblings and ravings of lust..and imaginings.

i digress here, with the flowered words, dropping petaled fragrances
to my own desire and hunger, for that there remembered body, hold,
grip and smile. the dedication to the artifice of the dance..of you.

laughter erupts in my head, as i write, thinking that you will barely
have time to scan the lines or read these words, as many times as
one..
for you are in the midst of it, the thick of it. as it goes, i
persevere and steer the worded ships into orbit and shoot straight
there to you.

i am writing to bring the sun to you.set it at your feet and have the
stars light your path when you dream or sleep.
i shake the seeds from my hair, and grow a beanstalks straight to the
doors of your heavenly chamber. i smile with you, to reveal the
light of the unverse, burning itself free to dance.. you in the
spotlight of your soul. remember to remember.. that your body
remembers.

Filed under: hester scheurwater — ABRAXAS @ 6:50 pm

1207.jpg

vice is versa

Filed under: paradoxism — ABRAXAS @ 6:47 pm

1206.jpg

August 27, 2007

african children high on sewage

Filed under: miscellaneous — ABRAXAS @ 8:58 pm

By Ishbel Matheson in Lusaka

At the Lusaka sewage ponds, two teenage boys plunge their hands into the dark brown sludge, gathering up fistfuls and stuffing it into small plastic bottles. They tap the bottles on the ground, taking care to leave enough room for methane to form at the top. A sour smell rises in the hot sun, but the boys seem oblivious to the stench and the foul nature of their task.

They are manufacturing “Jenkem”, a disgusting, noxious mixture made from fermented sewage. It is cheap, potent and very popular among the thousands of street-children in Lusaka. When they cannot afford glue or are too scared to steal petrol, these youngsters turn to Jenkem as a way of getting high.

“It lasts about an hour”, says one user, 16-year-old Luke Mpande, who prefers Jenkem to other substances.

“With glue, I just hear voices in my head. But with Jenkem, I see visions. I see my mother who is dead and I forget about the problems in my life.”

Symptom of poverty

Sniffing sewage is a symptom of the desperate plight of Zambia’s street-children. There are thought to be some 75,000 in the country as a whole - a number that has doubled in the past eight years.

[ image: ]
With the Aids epidemic affecting an estimated one in four adults in urban areas, and the government’s harsh privatisation policies throwing thousands out of work, it is the children who have suffered the most.

Sikwanda Makono is an education specialist at the Ministry of Health. “Now that the economy is going down, we see more and more of our younger boys going into the streets.

“And girls too. If you drive around at night, you see very young girls looking for men, to merely get something to survive.”

Abandoned

[ image: ]
The children can also no longer rely on the extended family, once the backbone of African life. This traditional safety net is now on the verge of collapse.

Children are sent out onto the streets to earn a living, or treated cruelly by relatives already struggling to support their own families, or simply abandoned by parents, who cannot afford to feed and clothe them.

Victor Chinyama of the United Nations Children’s Fund in Lusaka says it is imperative that the Zambian government gets to grips with this problem.

“So far, one doesn’t get the feeling that this has been recognised as priority, or as a problem that needs to be nipped in the bud,” he says.

“This problem is on the rise and the sooner it is dealt with, the better.”

Temporary respite

Substance-abuse offers a temporary respite in an otherwise harsh world.

Nobody knows exactly where the idea for making Jenkem came from, but it has been used by street-children in Lusaka for at least two years. Nason Banda of the Drug Enforcement Agency is not proud when he says that it is unique to Zambia. He shudders when he sees the boys at the sewage ponds, scavenging for faecal matter to make Jenkem.

“It’s unimaginable” he says. “It hits right at the heart to see a human being coming down a level, to be able to dip his hand into a sewage pond, picking out the material and not caring about anything but the feeling of getting high.”

this article first appeared on bbc news

Two Shadows

Filed under: suchoon mo, poetry — ABRAXAS @ 7:59 pm

there are two shadows
on the road
going somewhere
side by side
one is mine
I don’t know the other

the society of the spectacle

Filed under: guy debord, society of the spectacle — ABRAXAS @ 10:37 am

dialectics.jpg

123

Proletarian revolution depends entirely on the condition that, for the first time, theory as intelligence of human practice be recognized and lived by the masses. It requires workers to become dialecticians and to inscribe their thought into practice. Thus it demands of men without quality more than the bourgeois revolution demanded of the qualified men which it delegated to carry out its tasks (since the partial ideological consciousness constructed by a part of the bourgeois class was based on the economy, this central part of social life in which this class was already in power). The very development of class society to the stage of spectacular organization of non-life thus leads the revolutionary project to become visibly what it already was essentially.

quote of the day

Filed under: miscellaneous, literature — ABRAXAS @ 10:33 am

dgeleuz.jpg
a great book is always the inverse of another book that
could only be written in the soul, with silence and blood.

gilles deleuze, essays critical and clinical

shouting thoughts

Filed under: poetry, msizi moshoetsi — ABRAXAS @ 10:31 am

you don’t hear these shouting thoughts
yelling from the past
echoing from the future
bouncing into the present
whistling, beckoning
they wont wave goodbye
forcing me to welcome them
with closed arms
and clenched fists

like grains of the sea sand
they swarm my mind like fleas
packing my head to the rafters
they come in singles and doubles
multiplying from triplets to plurals
tangoeing cha cha cha’s
in tai chi movements
they come sleeping like a foetus
limping like a cripple
galloping like a pony
running like a madman

they yell from the underground
sounding a clarion call
to fill my ink with sermons from the mountain
can you hear these shouting thoughts
banging in my brain
like apartheid policemen
dragging me
kicking and screaming
to give them shape and content
on these blank pages

when I sit in a trance
like my friend sandile
high on ganja
you cant hear these shouting thoughts
cause my mind is soundproof
you cant hear these shouting thoughts
cause you are fast asleep
you cant hear these shouting thoughts
cause you look at me with your marble eye
you don’t see the tears
foaming from the tip of my head
bursting at the seams
on my toes
you seal your ears with wax
and do not hear the roaring thoughts
that come driving in a black hearse
in ash coloured sackloths
to deliver a boquet of flowers
to console my grieving heart

dammit!
you don’t hear these shouting thoughts
a curse which decorates my sorry life
these shouting thoughts are my cross
that I and I alone can carry

I wish you could hear these shouting thoughts
but damn!
they are not your portion
they are assigned to the house of pain

dammit!
how I hate these shouting thoughts!

the poet who died again

Filed under: art, cecilia — ABRAXAS @ 10:29 am

1205.jpg

strange country

Filed under: jimmy "wordsworth" rage — ABRAXAS @ 10:24 am

1204.jpg
i will make the world my diary
and piss rivers into life
i will sing songs to phantom mothers
black sentinels
by broken windows
birthing out of rope
strung trees
strangefruits
creaking in mornings
light
a lynch story
as bright
as sun.

metro 22d

Filed under: luis hernandez — ABRAXAS @ 10:14 am

1203.jpg

Family

Filed under: paradoxism — ABRAXAS @ 10:12 am

Happy
To be nuclear

B. Venkateswara RAO (India)

August 26, 2007

the society of the spectacle

Filed under: guy debord, society of the spectacle — ABRAXAS @ 5:34 pm

1201.jpg

124

Revolutionary theory is now the enemy of all revolutionary ideology and knows it.

purify

Filed under: hester scheurwater — ABRAXAS @ 2:55 pm


light headed

Filed under: art, cecilia — ABRAXAS @ 2:51 pm

1200.jpg

who am i?

Filed under: jimmy "wordsworth" rage — ABRAXAS @ 2:48 pm

1199.jpg

THE LAST WORD

Filed under: literature, msizi moshoetsi — ABRAXAS @ 2:46 pm

Thabo Mdlalose died exactly like he had lived, silently. In the language of the African people south of the equator, he had woken up quietly or cold. As scores of people were to vouch in his memory, he had lived his entire life like a sheep.

The controversy of Thabo started at his birth. From his first yawn, it became clear he was much lighter in complexion compared to his siblings who were of a more darker hue. Grandmothers in the family, who were known to be harbourers of deep family secrets, after carefully inspecting his tiny feet, concluded his toes resembled those of a great ancestor who had ascended to the spirit world many generations ago. No one could dispute this claim of the grand old ladies because no one was old enough to have known this great ancestor.

A dark cloud seemed to shadow his life as he grew up. Not being the brightest of his peers, he dropped out of school after repeatedly failing to go beyond standard five at an advanced age of seventeen. He only stopped peeing on his bed at the age of twelve. He was not fortunate when it came to finding work as white people in the kitchens felt he was not good enough to till their gardens. The elders in the community asked “what kind of bird sang to that boy? Though the family knew there was something amiss about him they could never put their finger on it. So they sought divine help from the seers of note. After consulting his bones, the traditional healer suggested a ritual ceremony should be held for Thabo which would require the slaughtering of a white goat and the brewing of traditional beer.

He also alluded to the fact that the boy should be given his proper surname but no one seemed to understand what he meant. Thabo’s mother dismissed the seer as a charlatan, while his father, who had been against consulting the inyanga in the first place, maintained they were a family of believers who did not subscribe to the backward notion of ancestral worship.

So Thabo grew up in a haze. But he was a lively and likeable fellow of humble spirit. He was ubiquitous and known all over the township for his humble nature and generosity of spirit. Some people claimed, and indeed they repeated this claim in the funeral, that he was more popular than the money lenders who provided a valuable service to the community.

Thabo was always eager to lend a helping hand where it was needed. Whenever there was a goat or cow to be slaughtered he was the first to arrive with his knife with the legend Okapi inscribed on it. Whenever there was a cigarette to be lit he was always on standby with a box of matches so he could pull in a few smokes. In any funeral he could always be relied on to do the spadework zealously. He was never short of money as he performed all sorts of odd jobs like washing people’s cars for a tip rather than a salary.

At local taverns he cleaned and polished tables so he could guzzle half empty beers from patrons. He could be seen occasionally pushing a wheelbarrow to the bottle store to buy a few cases for the shebeen owners. People said he was much better than his loafer friends who manned street corners in the township called “tollgates” asking for money donations from passers by.

Every man and woman has needs. Thabo was also rumoured to console divorcees, widows and other women not so fortunate when it comes to men in more ways than one. For in all honesty, he was quite a look-able fellow. In the night vigil people wailed uncontrollably. And widows and divorcees wailed even more as if there was prize money at stake. For it is part of the rich township tradition that people should cry in order to console the bereaved.

Beer, traditional and western, tea accompanied by cakes flowed freely inside and outside the camp. Old women wearing doeks and draped in scarves cried and sobbed softly underneath the blankets. And community members paid their last respects in heated testimonies.

“When I saw this boy my fellow brethren, I used to be happy, I used to be happy my fellow brethren because this boy was forever laughing, not once did I see him frown and not once did I see him raise his voice to anyone. I never heard this boy say nxa to anyone bazalwane, amen! I used to be happy bazalwane when I passed that corner everyday and I would see this boy smoking the shadow of chickens with his friends. I used to be happy my fellow brethren because young men these days including girls smoke all forms of drugs from cocaine to heroin to ecstasy, I hear these days there is even a new drug called Taiwan, and another one called tik tik because it makes your mind tik tik like a clock, but all this boy ever did was smoke his green grass in a pipe” To which all the congregants in the tent will shout a spirited Hallelujah! Uyingcwele Jehova! A woman would take up the song “Izulu, indawo, yokuphumula, alungen’ uvalo!

Another spirited person would stand up in fired testimony: As I stand here in front of you my fellow brethren, having entered this yard of the Mdlaloses, I say to you the Mdlaloses, it is true, the soil is never fattened up, you must find consecration in the Lord Jesus Christ who said to us all of you who are hungry and thirsty, come to me I will carry your load for you amen!

As I stand before you my beloved in the Lord, I feel jealous, I feel jealous because I envy this young hero, who has finished his journey, and now the issue is between me and you my fellow brethren, we need to ask ourselves, have we sorted out our controversy with Jesus Christ, because he promised us he will collect us one by one and he will come like a thief at night.

Someone, perhaps to cut a long testimony short would interject with a chilling song: Lemini iyeza nakuwe. A woman would rise up to speak: This boy was like a son to me bazalwane bami, I knew him before he was born, I used to send him on errands and he would run so fast he would come back before the spittle has dried out on the ground. He would come to me for a visit and we would laugh about nothing. The night before he passed away he came to my house and we shared jokes as usual and he left shortly after that, little did I know bazalwane he had come on that day to say his goodbyes” and the woman would break down and cry.

Someone would console with a song again: Ningakhali bazalwane bami, sahlukene umzuzwana nje, ezulwini sobonana futhi. It is said that people laugh even in the midst of death, occasionally, a township idiot or a drunkard would provide a humorous moment with a statement like: Nami bazalwane I am just standing up, I have nothing to say really, I just wanted to stress on what has already been said…to which his friends would pull him down in hushed tones.

On the day of the funeral the pastor gave a spirited sermon. People said he was fired up by the bottle of Mellow Wood that he had been drinking from the previous night. The pastor stressed to the mourners they should never lie to the children but always tell them the truth because people have a tendency of coming back demanding the truth even beyond the grave. He told the story of an uncle who assured his dying nephew that he need not worry because he was going to haydes to rest in the chest of Abraham. The departed boy came back to his uncle in a dream saying he cannot find the resting place of haydes and the chest of Abraham.

‘He was a nice guy’, commented the clean shaven man in dark sunglasses to a beautiful lady in a black veil and hat.

‘Kunjalo, it is so’ responded the woman, ‘did you know him well?

“Ngisho nakwaMadala ejudeni, I did not know him at all” the man said.

“I did not know him either” the woman said.

None of the mourners found this conversation strange. For it is common nature in the township to attend the funeral of a person you have never known in their lifetime. At most times, knowing one member of the bereaved family is enough but very often one does not even have to know the bereaved family for as the Zulu people say: you do not pass by when you see a house under construction, you come in and give a hand, so it is with feasts and funerals.

After all the proper rituals had been observed the time came for the coffin to be lowered down the grave. The strangest thing happened, the coffin would not move from the ground. Stronger and more brawny men, in an effort to expose the weaklings were called upon but still the coffin would not budge. Scores of men tried their luck in lowering the deceased but the coffin would still not move an inch. There was a huge murmur and suppressed gossip amongst the mourners. Some thing like that had never been seen amongst these shores though others vouched it happens all the time when the deceased is angry about something. An impromptu family meeting was called but did not yield any positive results. Incense was burnt to plead with the ancestors to tone down their anger but still the coffin would not move. It is said that that which fails men must be reported, so the matter was brought before the community elders. A sagely greying old man was convinced the truth lay with the mother of the boy. The mother screamed and squealed uncontrollably. Many people, convinced they had diagnosed the root of the problem, pleaded with her and then demanded she talk the truth about the paternity of the boy. Thabo’s mother finally relented and confessed the father of the boy was Khumalo opposite their house. A shaken Khumalo was called to intervene. He went to speak to the coffin, calling on the Mashobanes, the mzilikazis, the mntungwas to tone down their anger. He pleaded with the ancestors, apologising to his son by praising him with all the family clan names. The weather suddenly cleared. People easily lifted up the coffin and lowered it into the ground. Finally, Thabo Khumalo had spoken the last word, people said.

Wisdom

Filed under: paradoxism — ABRAXAS @ 2:38 pm

To know
What one doesn’t know

B. Venkateswara RAO (India)

Next Page »