kagablog

By Raphael Mokoena

8/10/08

The literary scene in South Africa this week has been largely dominated by the literary “brickbats” between two of the country’s greatest academics and writers, Stephen Gray and Zakes Mda. Mr. Gray published a piece in a national newspaper (Mail and Guardian) where he criticised a number of aspects of Mr. Mda’s writing. The latter responded vigorously – both of them rather strongly picking on each other with more than a hint of personal attacks.

The furore awakened what many black African people in the literary business have known for years. The genre of literary criticism does not sit too well with most of our writers, and in the end it becomes difficult to separate authentic literary criticism from personal attacks. Over the decades as African literature grew by leaps and bounds, friendships between writers had been ruptured, with resentment in the air all because of “literary criticism”

Writer and cultural activist, Aryan Kaganof has referred to “mean spiritedness” (accusing Stephen Gray of this). But the history of literary criticism over the years and centuries shows that in so many cases critics can easily be accused of this, even if this might not be their intention. Often literary criticism goes too far and it does seem as if the pertinent critic has something against the writer being “attacked”.

A case in point was the way James Joyce’s immortal masterpiece, Ulysses, was greeted by some top critics after the book was first published. The great Virginia Woolf remarked on it thus: “Ulysses is the work of a queasy undergraduate scratching his pimples”; DH Lawrence, top writer commented: “The last part of Ulysses is the most indecent, dirtiest, most obscene thing ever written. It is filthy”; literary critic, Edmund Goose said: “The author (of Ulysses) is a charlatan…the book is an anarchical production, infamous in taste, in style, everything”

As regards the “tiff” between Stephen Gray and Zakes Mda, both of them remain formidable literary activists and writers. I can not agree with the suggestion that a literary figure can only be judged on their prolificacy and having books on the shelf almost on a yearly basis. Whether Chinua Achebe published any more novels after his classic Things fall apart came out fifty years ago, he would always be revered for his pioneering masterpiece (indeed, Achebe has not published any new novel for over 20 years). Stephen Gray is ensconced as a very important critic and imaginative writer whose works have been published world-wide, with many different editions.

On his own part, despite the fact that Zakes Mda began publishing novels less than fifteen years ago, he has already proved that he’s at the top of his craft, and he has quickly joined the elite of the all time great novelists in the continent. Works of his like Heart of Redness, Madonna of Excelsior, Ways of Dying belong to the top drawer. Of course he is also a veritable academic too. He and Stephen Gray know only too well that the genre of literary criticism is often an acerbic one. But one always regrets seeing personal attacks between illustrious people (in this case, wordsmiths.)
Mr. Mokoena, a literary activist, lives in Qwaqwa.

this article first appeared on raselebeli khotseng’s black african literature blog