kagablog

December 21, 2009

claire angelique and peter engblom

Filed under: just good friends, peter engblom — ABRAXAS @ 4:13 pm

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August 1, 2009

Peter Engblom - “Pandora’s Box”

Filed under: art, peter engblom — ABRAXAS @ 11:35 pm

A photographic Exhibition

Jim Neversink will be playing live music

A Prego stand and cash bar will be available
All welcome

Saturday 1st August 2009 from 11am - 4pm

39 Keyes Avenue, off Jellicoe, Rosebank
Gallery hours Mon to Fri 9h00 - 17h00 Sat 9h00 - 13h00
011 788 4435
www.davidbrownfineartco.za
david@dbfineart.co.za
Exhibition closes 9th August 2009

Pandora van Rensburg
A lot of people know a little about Siener van Rensburg and his visions, many take them with a large pinch of salt & others add a little Tequila.

There may be a coherent story hidden in these visions as some facts balance perfectly modern occurrences. His stories consist of four main parts. One of them contains extensive reference to the “fall of the European Government”, while another one deals entirely with the modern day struggle between the USA and the extremist revolutionaries that follow Islam. He noted that the vierkleur would be flying above the Union Buildings when the ice began to melt, that around this time Koeberg power station would blow up, that the world economy would collapse, the Kruger millions would be found, etc. These visions were all recorded by his daughter some time before his death in 1926.

What many people do not know is that his granddaughter, Pandora van Rensburg, was the first Burlesque performer in Africa. The Boer commandos had a hard time fighting the British forces and there was little or no entertainment for them. Pandora set up a little dance troupe and traveled the various frontlines with her ostrich feathers. Weather this was motivated by patriotism or greed we will never know. What we do know is that she was so successful that she eventually toured the country in a pink sedan, and there are rumors that she may have performed in St Helena, Bermuda and Ceylon for the imprisoned Boer troupes at no cost to these bitter patriots. Pandora carried her ostrich feathers in an old guitar case and this eventually became known as “Pandora’s Box” in Afrikaans known as “Pandora se doos”.

Pandora’s live shows for “Springbok Cigarettes” predated most live advertising in the country and many of her pioneering ideas were later used on the radio station named after this Burlesque show. Many people think that “burlesque” means female strippers walking a runway to a bump and grind beat. But that only fits this form in its later years. At its best, burlesque was a rich source of music and comedy that kept audiences laughing.

Underdressed women performed as sexual aggressors, combining good looks with impertinent comedy, and all this was in a production written and managed by a woman. Unthinkable in those times. No wonder the commandos turned out in droves, making Pandora and her “Boer Burlesque” the hottest thing from Pretoria to Potchefstroom. Demand for tickets was such that she held a special command performance for President Kruger and his generals in his stables behind his house in Pretoria.

Pandora’s principal legacy was her shifting of patterns of gender representation that forever changed the role of the woman on the South African stage. The sight of a female body, not covered by the accepted norms of respectability, forcefully if playfully, called attention to the entire question of the “place” of woman in society.

Peter Engblom studied photography at the Bavarian State Institute in Munich. His ancestors established a Norwegian mission outpost in Zululand at the turn of the last century. A sugar farmer and yacht broker, he has spent over a decade photographing traditional rituals and ceremonies in Zululand. Peter has produced audiovisual experiences for clients such as Itala Bank, Lever Brothers, CI Caravans, Ilanga Newspaper, KwaZulu Monuments Council and the Local History Museums in Durban. He designed the Bensusan Museum of Photography in Johannesburg and the Portnet Visitor Centre in Durban. He also created the concept and history of Mpunzi Shezi, the first Zulu missionary to the Japanese - he took Ubuntu to the Buddhists and brought Zen back to the Zulus. He describes his work as ‘the Celestine Prophecy meets Mad Magazine”. He also designed the suitcases for Big Brother and was the creative director on South Africa’s bid to host the world architectural congress.

Description: Fine Art Exhibition
Peter Engblom spends his days dancing along the ever-shifting line that separates myth from history. A museum designer by profession, the irreverent Engblom is also responsible for the now infamous Zulu Sushi series of images, in which he tells the story of Mpunzi Shezi, a Zulu missionary who went to Japan at the turn of the. “Pandoras Box” is an exhibition of recent photographic artworks created behind the “boerewors curtain” featuring Pandora van Rensburg the improbable daughter of Siener van Rensburk and her travels around the world. She may be a fragment of her own imagination.

Q: How would you characterize your photographic style?

A: At the moment I find myself creating photographic lies. The “Pandoras box” work is based on the fact that identities are constructions that we are swindled into believing. My pictures are constructions of events that never took place.

Q: What inspired “Pandora’s Box”

A: I was reading a book about the visions of Siener van Rensburg and was struck by the idea that the world is going to end in 2012. Research revealed that Clarens would be the safest place to be when the south pole becomes the north pole. Russians are already building bunkers in the mountains.

Q: What role does your character Pandora van Rensburg play?

A: Pandora traveled the world selling ostrich feathers, practicing the dark arts and researching hallucinogenic plants. She exclaimed “A woman does not have an Orgasm from pealing potatoes” when she was served a cold Potato and Leek soup in Manhattan.

Q: How do you create your pictures? Are there any special techniques?

A: The pictures are basically collages with the edges blurred to make them more realistic. Each picture is planned and the different pieces shot separately. The models are real most of the landscapes were shot around Clarens.

Q: How important is Digital-Photography for you?

A:I continually loose all my equipment so I now just use a tiny point and shoot camera that cost less than a thousand rand.

Q: What are your “artistic plans” plans for the future?

A: I recently discovered the diaries of King Jika Jika who was her majesties inspector of paranormal activities and a coffee planter. There appear to be 3d pictures of ghosts and UFO’s taken in Jamaica, St Helena and Kenya. I intend to tear up the album copy the pages and sell them to collectors as “Art” in a coffee shop being built by Matt Stevens in Bath.

March 20, 2009

pandora van rensburg

Filed under: peter engblom — ABRAXAS @ 12:27 am


A lot of people know a little about Siener van Rensburg and his visions, many take them with a large pinch of salt & others add a little Tequila. There may be a coherent story hidden in these visions as some facts balance perfectly modern occurrences. His stories consist of four main parts. One of them contains extensive reference to the “fall of the European Government”, while another one deals entirely with the modern day struggle between the USA and the extremist revolutionaries that follow Islam. He noted that the vierkleur would be flying above the Union Buildings when the ice began to melt, that around this time Koeberg power station would blow up, that the world economy would collapse, the Kruger millions would be found, etc. These visions were all recorded by his daughter some time before his death in 1926.

What many people do not know is that his granddaughter, Pandora van Rensburg, was the first Burlesque performer in Africa. The Boer commandos had a hard time fighting the British forces and there was little or no entertainment for them. Pandora set up a little dance troupe and traveled the various frontlines with her ostrich feathers. Weather this was motivated by patriotism or greed we will never know. What we do know is that she was so successful that she eventually toured the country in a pink sedan, and there are rumors that she may have performed in St Helena, Bermuda and Ceylon for the imprisoned Boer troupes at no cost to these bitter patriots. Pandora carried her ostrich feathers in an old guitar case and this eventually became known as Pandoras Box in Afrikaans known as Pandora se doos.

Pandoras live shows for Springbok Cigarettes predated most live advertising in the country and many of her pioneering ideas were later used on the radio station named after this Burlesque show. Many people think that “burlesque” means female strippers walking a runway to a bump and grind beat. But that only fits this form in its later years. At its best, burlesque was a rich source of music and comedy that kept audiences laughing.

Underdressed women performed as sexual aggressors, combining good looks with impertinent comedy, and all this was in a production written and managed by a woman. Unthinkable in those times. No wonder the commandos turned out in droves, making Pandora and her “Boer Burlesque” the hottest thing from Pretoria to Potchefstroom. Demand for tickets was such that she held a special command performance for President Kruger and his generals in his stables behind his house in Pretoria.

Pandoras principal legacy was her shifting of patterns of gender representation that forever changed the role of the woman on the South African stage. The sight of a female body, not hidden by the accepted norms of respectability, forcefully if playfully, called attention to the entire question of the “place” of woman in society.

November 25, 2008

peter engblom: E-Mail Interview with PHOTOGRAPHIE Magazine - Germany 2005

Filed under: peter engblom, photography — ABRAXAS @ 10:44 am

Q: How would you characterize your photographic style?

A: At the moment I find myself creating photographic lies. The “Zulusushi” work is based on the fact that ethnic identities are basically constructions that we are swindled into believing. My pictures are constructions of events that never took place.

Q: What inspired you to mix elements of the Zulu-culture with elements of the Japanese Culture?

A: I fell down a staircase and the story was inspired by a series of voltaren injections in the backside.

Q: What role does your character Mpunzi Shezi play?

A: Mpunzi Shezi discovered mount Japan in 1911. He took Ubuntu to the Buddhists, taught Zen to the Zulus, studied tantric sex with the geishas and taught his dog to meditate so that he didn’t have to bother with the difficult task himself.

Q: How important are sexual topics, like bondage, for your work?

A: Mpunzi Shezi appeared to be equally interested in Buddhism, bondage and bonsai.

Q: How did the European visitors of your exhibitions (Paris Photo) like your work.

A: I have no idea, you will have to ask RoxAnn or Rolf at the OMC gallery. People bought lots of the pictures if that is anything to go by. Here in South Africa, the response has been fantastic. About a quarter of the visitors actually believe my lies but then they are probably the same people that believe that politicians will make their lives easier and Father Christmas lives in Lapland. All sorts of important people buy the pictures and hang them in their houses. I am continually amazed and amused.

Q: How do you create your pictures? Are there any special techniques?

A: The pictures are basically collages with the edges blurred to make them more realistic. Each picture is planned and the different pieces shot separately. The Japanese models are a real problem as there are very few oriental people in Zululand. I sometimes photograph Oriental hookers while Im traveling. I have never been to Japan. There are lots of Zulus in Zululand so that’s not a problem.

Q: How important is Digital-Photography for you?

A: The Zulus continually steal all my equipment so I now just use an old twin lens Yashika to take my snaps. I have the negs scanned to get them into my computer.

Q: What are your “photographic-plans” plans for the future?

A: I recently discovered the diaries of King Jika Jika who was her majesties inspector of paranormal activities. There appear to be 3d pictures of ghosts and UFO’s taken in Jamaica, St Helena and Kenya. I intend to tear up the album copy the pages and sell them to collectors as “Art”.

October 21, 2008

Filed under: art, peter engblom — ABRAXAS @ 8:28 pm

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Filed under: peter engblom — ABRAXAS @ 7:28 pm

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October 20, 2008

Filed under: art, peter engblom — ABRAXAS @ 5:32 am

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October 19, 2008

Filed under: peter engblom — ABRAXAS @ 5:49 pm

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October 18, 2008

Filed under: peter engblom — ABRAXAS @ 8:57 pm

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Filed under: peter engblom — ABRAXAS @ 11:37 am

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Filed under: peter engblom, photography — ABRAXAS @ 2:22 am

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October 17, 2008

Filed under: peter engblom — ABRAXAS @ 7:13 pm

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Filed under: peter engblom — ABRAXAS @ 2:55 pm

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Filed under: peter engblom — ABRAXAS @ 4:27 am

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Filed under: art, peter engblom — ABRAXAS @ 3:45 am

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October 16, 2008

Filed under: peter engblom, photography — ABRAXAS @ 3:28 am

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October 15, 2008

Filed under: peter engblom — ABRAXAS @ 8:39 pm

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Filed under: peter engblom — ABRAXAS @ 6:03 am

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October 14, 2008

Filed under: peter engblom — ABRAXAS @ 6:18 pm

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Filed under: art, peter engblom — ABRAXAS @ 11:29 am

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Filed under: peter engblom — ABRAXAS @ 10:27 am

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Filed under: peter engblom — ABRAXAS @ 9:50 am

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July 30, 2008

congratulations pete!!!!!

Filed under: art, peter engblom — ABRAXAS @ 9:16 am

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You are invited to a cocktail party
held by the KwaZulu Natal Institute for Architecture (KZNIA)
& the KwaZulu Natal Society of Arts (KZNSA) in celebration of the successful

UIA DURBAN 2014 BID

FRIDAY 1 AUGUST, 5.30 PM, KZNIA & KZNSA: 160/166 BULWER ROAD, GLENWOOD, DURBAN

This multi-media event will showcase the Torino exhibition stand, cocktail party and presentation and, along with a selection of
Peter Engblom’s artwork, demonstrate the crazy creativity and passion that stole the show and awarded Durban the
25th International Union of Architects World Congress

March 17, 2008

arthouse@eshowe.com

Filed under: art, peter engblom — ABRAXAS @ 8:38 pm

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I was helping with the renovation of the George hotel in Zululand when this harebrained idea occurred to me. I’m an artist (who sometimes renovates seedy old hotels) and it seemed to me that I was having so much fun that it would be downright selfish not to share this place with other artists. I play in paradise while they freeze their butts off trying to paint and play with their chosen materials. I invited a friend of mine to come and chill when she had some time off from doing commercial work. This resulted in an exhibition in the little gallery I was building around the reception of the hotel.

It slowly became obvious that this was a great idea, but they obviously didn’t want to turn the hotel into an art studio. I had noticed an amazing Victorian house across the road and asked the owner if we could play in it. He said “yes” and this idea was born.

Rationale:
I took a little look on the web and was struck by how business like the whole art nomad thing was becoming, how over intellectualized and serious most art residencies are. I have therefore taken a more light hearted approach to this exercise. There are plenty of places for serious artists who want to sound like dictionaries on legs. We want happy cleaver people to come from far away and enjoy themselves while doing their what they do best.

Disciplines and media:
Sound, art, music, performance, dance, photography, painting, sculpture, installations, etc, etc.

Duration:
Eshowe gets very hot in summer. You can stay up to three months even longer if you have a good reason.

Studios:
There is a lounge as well as the fantastic veranda that surrounds the house. You are expected to leave the place in a better state than it was in before you arrived. We do not accept any responsibility for breakages theft and accidents on the premises. It is the responsibility of each artist to take out insurance according to their particular needs. We insist that you wear safety equipment when using dangerous equipment

Accommodation:
Eshowe has 2 guest rooms in the Main House with a single bed each (a double could be arranged on loan from the hotel across the road), all rooms have beds with comfortable mattresses; bedding, sheets and are provided. Shower facilities are located at the George hotel, across the road in Eshowe. If we find three artists who who suitable we may be able to organise for one of you to stay in the backpackers across the road.

Other information:
Eshowe has kitchen facilities at the backpackers across the road, the pub does a lunch for about 3euros. We sometimes arrange day trips to the region’s spots of interest . Artists should be aware that there isn’t much distraction in the way of restaurants, clubs or cinemas in Eshowe. You get a free Zulu blonde beer at the bar daily in Eshowe. There is a disco at the sports club on Fridays. The rest happens at the George hotel across the road.

Expenses paid by artists:
Artists have to pay their trip to the residence. We encourage artists to contact the relevant cultural entities for financial support for their trips. Artists are provided with very basic tools and equipment and a space to work and sleep. Trips to local areas of interest are sometimes arranged by us. As this house is not run by an artist you should realise that you are going to have to watch the movie going on in your own head most of the time. Please also ensure that you have adequate medical insurance to cover any illness or accident while in Africa.

Assistance:
Visiting artists are expected to be self sufficient. Local people will be of assistance as Eshowe is a small friendly country town. The nearest art supplies are over a hundred kilometers away in Durban. Local farmers will often give you food depending on the season. It is important that you at least speak a bit of English before you arrive.

Presentation of artists’ work:
We expect all artists to share the result of their residency with local audiences. You are also expected to spend some time teaching and speaking in the local community, artists do this automatically so we shall not go into too much detail here, but you should at least leave the town happy that more artists are coming. There some amazing projects in and around Eshowe caring for aids orphans. Take a look at www.cunina.com and www.zulufadder.no and www.eshowe.net for more info.

Returning artworks:
This is the responsibility of the artist and should be considered part of your overall budget. We recommend that you research options of transporting your work prior to your arrival. Have a look at www.ubag.com

Report and images:
Visiting artists are expected to e-mail us a weekly update and images for the diary detailing their experiences as well as the works they are producing. On completion of the residence visitors are expected to produce a report of roughly 1500 words as well as a disk containing at least twenty high resolution images suitable for publication. From time to time you will be interviewed by the local media.

Funding and conformation:
Visiting artist are responsible for obtaining sufficient funding to cover the costs of their stay, airfare, food, art materials etc. We provide the playroom and the sleep room for free. We require immediate written conformation upon accepting you as a resident that you have sufficient funds for your stay. While imported art materials are expensive, local materials are relatively cheap. Food and personal items should not cost more than 150 euros a month to keep your body and mind working. Take a look at www.eshowe.com for more about this amazing place.

Peter Engblom
April 2008

keep reading here

July 15, 2007

a portrait of peter engblom

Filed under: kagaportraits, peter engblom — ABRAXAS @ 10:21 pm

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